Credits and Copyrights
1Buckminster Fuller repeated his major concepts, themes, anecdotes, and examples—with minor differences (and occasional inconsistencies)—throughout his lectures and writings. This book is an introduction, not an academic treatise. I have made no attempt to footnote paraphrases, quotes and concepts, but I have taken care to identify what is certainly his. I accept responsibility for any errors in my story. They are inadvertent.
2 Most of the photographs in this book are copyrighted by the Buckminster Fuller Institute, or Allegra Fuller Snyder (as indicated below), and are used courtesy of the Buckminster Fuller Institute in Santa Barbara, California. Photographers are identified where possible, but many photographs in the Fuller Archive are unmarked and unattributed. When action was afoot, Bucky was usually armed with a camera or two. Some of the uncredited shots are doubtless by him, but there is no way to be sure.
3 Direct quotes and excerpts from books by Buckminster Fuller are used by permission. The words Dymaxion, Spaceship Earth, and the design of the Fuller Projection map are registered trademarks of the Buckminster Fuller Institute.
4 The account, Learning a Lot, Learning Fast (Page 142), is used with the kind permission of Amy C. Edmondson.
5 Figs. 0-1, 1-1, 2-4, 2-20, 2-21, 2-22, 2-23, 2-24, 2-25, 2-26, ’1-TJ, 2-28, 2-29, 2-30, 2-31, 2-32, 2-34, 2-35, 2-37, 2-42, 3-1, 4-4, 4-5, 4-8, 4-9,
- 4.
- 10,4-12, 4-13, 4-14, 4-15, 4-16, 5-1, 5-2, 5-3,
- 5.
- 5, 5-6, 5-7, 5-10, 5-11, 6-2, 6-3, 6-7, 6-8, 6-9,
- 6.
- 12,7-3, 7-5, 7-6, 7-8, 7-9, 8-4, 8-7, 8-9, 8-11, 8-12, 8-13, 8-14, 8-15, 8-16, 8-17, 8-18, 8-19, 8-20, 9-1, 9-2, 9-3, 10-8, 11-1 © 1996; Figs. 2-5, 2-8, 2-9, 2-10,2-11, 2-36, 2-43, 4-2, 4-6, 4-7, 4-17,4-21, 5-8, 5-9, 5-12, 7-1, 7-2, 8-3, 8-6, 8-8, 8-10, 9-4, 9-5 © 1960, 1988; Figs. 2-1, 2-3, 4-3, 4-18,4-19, 4-20 © 1985; Fig. 10-9 ©1981;
6 Fig. 10-1 © 1965, 1996; Fig. 6-1 © 1950, 1996 by Allegra Fuller Snyder, courtesy of the Buckminster Fuller Institute.
7 Fig. 4-1 ©1938, 1967, 1980, 1992 by The Buckminster Fuller Institute.
8 Courtesy The Buckminster Fuller Institute.
9 Figs. 1-2, 2-38, 4-11, 4-24, 6-4, 6-5, 6-6, 6-10, 6-11, 7-4, 8-1, 8-2, 8-5, 10-5, Courtesy, The Buckminster Fuller Institute, Santa Barbara, CA.
10 Credits for photographs and drawings. (All others are unknown.)
11 Fig. 0-1 —Anne Hewlett Fuller
12 Fig. 0-2 —Phil Haggerty
13 Fig. 1-1 —Robert Snyder
14 Fig. 2-1 —R. Buckminster Fuller
15 Fig. 2-5 —F. S. Lincoln
16 Figs. 2-6, 2-7 —Malcolm Wells
17 Fig. 2-14 —Ernest Weissman
18 Figs. 2-12, 2-16 —Butler Manufacturing Company
19 Fig. 2-17 —J. Baldwin
20 Figs. 2-18, 2-19 —Michael Jantzen
21 Figs. 2-39, 2-40, 2-41 —J. Baldwin
22 Figs. 3-2, 3-3, 3-4, 3-5, 3-6, 3-7, 3-8, 3-9 —Maroon Tabbal
23 Figs. 3-7, 3-8 —Liz Fial
24 Fig. 3-10 —Laura Wulf, courtesy Donald Ingber, M. D.
25 Fig. 4-17 —Kaufmann & Fabry
26 Fig. 4-22 —Robert Cumberford
27 Fig. 4-23 —Reprinted from Think, © 1968 by International Business Machines, Inc.
28 Fig. 4-24 —John Loengard
29 Figs. 4-25, 4-26 —Platt Monfort
30 Fig. 5-1 —Charles Eames
31 Fig. 5-4 —Winslow Colwell
32 Figs. 6-4, 6-5, 6-6 —Ralph Mills
33 Figs. 6-9, 6-10, 6-11, 6-12 —Kenneth Oberg
34 Fig. 7-4 —Official U.S. Marine Corps Photograph
35 Fig. 7-10 —Courtesy of The North Face
36 Fig. 7-11 —Alec Harrison
37 Fig. 8-5 —A. R. Sinsabaugh
38 Figs. 8-8, 8-10 —drawings by John Rauma
39 Figs. 8-11, 8-12 —Martin Growald
40 Fig. 8-14 —Don Richter
41 Fig. 8-21 —Jean-Francois Cloutier, La Biosphere
42 Figs. 8-22, 8-23, 8-24, 8-25 —J. Baldwin
43 Figs. 8-26, 8-27, 8-28, 8-29, 8-30 —© 1982 by Robert Sardinski
44 Fig. 8-30 —© 1981 by John Katzenberger
45 Fig. 8-32 —© 1979 by John and Nancy Jack Todd. Drawing by Paul Sun. Design by John Todd, Malcolm Wells, and J. Baldwin.
46 Figs. 10-2, 10-3 —© 1994 by the World Game Institute
47 Fig. 10-4 —© Global Energy Network, International (GENI). Dymaxion Map courtesy of The Buckminster Fuller Institute
48 Fig. 10-5 —Roger Stoller
49 Figs. 10-6, 10-7 —J. Baldwin
50 Fig. 10-10 —John Kuhtik
51 Fig. 10-11 —© Team Syntegrity, Inc. Drawings by Joe Truss
52 Fig. 11-1 —Charles Eames